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Another Ruined Landscape

by there are no birds here

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1.
Frostenden 05:19
2.
3.
Petticoat 04:57
4.
5.
Chopper 02:28
6.
Lugworm 04:19
7.
8.
Dag 04:55
9.
Beaufort 04:49
10.
Chine 03:21
11.
Haltley 05:35
12.
Lowestoft 02:59

about

Graffiti on a railway underpass catches your eye; ‘Another Ruined Landscape’ it proclaims. Looking across at the neighbouring industrial estate, you can see its point.

The nearby public footpath channels you between tightly packed industrial units. Wire fencing protects you from skips overflowing with broken glass, blue drums of unlabeled waste and decaying machinery. Extractor fans drone and drip and whir and groan. Wraiths of snagged plastic sheeting claw at you as you pass. Another Ruined Landscape, indeed.

The footpath expels you on to the raised bank of the river Stour; a natural barrier and border between the Southfolk and the East Saxons. Peering through the haze on your right you can see the distant cranes at Felixstowe as they pierce the heavens. Twisting your gaze left brings a pillbox into focus; open to the elements and gorged with beer cans. Nearby lies the White Bridge sluice as it rests; resolute and impassable. Another Ruined Landscape.

Finally, you drop your eyes and marvel at what the Stour has revealed at low tide. Un-navigable channels and creeks and rills and glorious, glorious mud flats. Birds rise and scream and fall and rest amongst its flotsam. Halyards clank, clank, clank their unsteady rhythms. A near-empty train clacks along with a solitary, masked, passenger staring blankly out at the bleak beauty of Another Ruined Landscape.

Drink it in.

It is yours.

credits

released December 21, 2020

Physical release of Another Ruined Landscape is available from Hream Recordings on ltd apricot cassette and CD - hream.bandcamp.com/album/another-ruined-landscape

Made using lots of Korg Volca Modular, Volca FM, SQ-1 sequencer, Korg Monotron, Monotron Duo,Monotron Delay, Paulstreched samples, field recordings and various homemade spring instruments. These were all run through the Korg NTS-1 - utilising way too much of its sublime submarine reverb.

Inspiration provided by the landscape of the Shotley Peninsula, and the vanishing East coast. Additional inspiration provided by Special Reserve Scotch Whisky - available exclusively on the bottom shelf of the Tesco booze aisle.

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about

there are no birds here Ipswich, UK

Exploring the landscape of Suffolk with a particular focus on the morphology of rural working class soundscapes.

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